More Pages: Page Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100


Very Informative
Industry Yellow Pages

Excelent Book for Beginners and as a reference
A first rate overview of "literacy" in cyberspace.

Nicely Done
Takes the work out of shopping

Excellent
This book is an excellent Javascript resource.The coverage is thorough and professionally written.


Comments after initial orientation to the book
At long last a pathway to our family history in UkraineThe vivid past jumps off the pages of this beautifully formatted book, just as the lure of the book's vast archive document inventory tempts the reader with its research possibilities for the future.
This book is a must for anyone contemplating research into their family history in Ukraine and Moldova, and a treasure for those who are merely curious about the world our ancestors lived in and left behind.


The Examined Life Isn¿t Worth Living EitherAfter exiting a short-lived dismal marriage Jude then meets and falls in love with his cousin who ultimately leaves her husband and moves in with him. There is no "happily ever after" in this novel. Sue, his lover, has sexual problems that need the ministrations of Dr. Ruth, who unfortunately was not available at the time. Sex is repellent to her, and so she and Jude live fairly platonic lives; lives that are not made easier by society's negative reaction to their living in "sin".
Jude and Sue are nice, if not psychologically whole, individuals. You wish them well, but Thomas Hardy has decided to sacrifice them to his philosophical views. He burdens the poor couple with society's repressive attitudes toward women, the lower classes, and marital nonconformity. A novel that begins with the hope of springtime, ends in a winter of despair.
It is a pessimistic, depressing story that examines Victorian sexual and societal mores, and for this it was condemned by many critics. Hardy was so affected by this criticism that he never wrote another novel. Instead he successfully turned to poetry, although his pessimism was again apparent in some of his verses (Read for instance his elegant poem "God's Funeral"). Some of the novel is a bit melodramatic, but that is a common trait of many works of the period. My credulity is strained somewhat by the basically non-sexual relationship of Jude and Sue. Sue is described as an attractive, intelligent and even flirtatious woman. Put simply, I could not fall in love with such a lady, and live with her as brother and sister.
I enjoy many Victorian novels because they combine outstanding literature with an exposition of the society of the times. Hardy is one of England's best. Highly recommended, and I strongly suggest that you buy the Norton Critical Edition of this work. In addition to the novel text you are provided with interesting information about the author, and a collection of contemporary and current reviews of the novel.
An excellent read for college students.

How to make an excellent web page
Best K-12 Web site Information I've seen!!DK


A visual tribute to the legions of unscripted griots!"KENTE CLOTH" WADES INTO STORYTELLERS' WATERS
From a full-length performance poem in script form to a teen-ager's image-laden perception of self, "Kente Cloth: Southwest Voices of The African Diaspora" (University of North Texas Press) revives on paper the ancient tradition of "griots" or storytellers. James Mardis, an award-winning poet and radio commentator in Dallas, has compiled an anthology that features mostly unpublished writers. Collecting the work of more than 45 scribes primarily from Louisiana and Texas, Mardis has succeeded in capturing the rhythm-and-blues lives of people in a common-folk vernacular. Simple, earnest and true. "Kente Cloth" is divided into four basic categories: Witnesses, Performers, Tellers and Signifiers, with a range of styles and tales that tantalize the reader into jumping into a pool of griots. Jesse Truvillion's "A Stray Dog's Great Day," Nadir Bomani's "Someone's Knockin' at My Door" and Phyllis Allen's "The Red Swing" run the gamut from tribute to modern-day vignette. The poetry of Monica Denise Spears, Bertram Barnes, Zenaura Melynia Smith, Gayle Bell, Freddi Evans, Glenn Joshua, Mawiyah Bomani and Kalamu ya Salaam are lyrical emotion-rides, while the prose of Bernestine Singley, Charley Moon, and James Thomas Jackson invoke fiery responses. "Lovve/Rituals & Rage" by Sharon Bridgforth brings the joy of performance art to the page and the gentle "Soul Soother" by Zenaura Smith, a freshman at John Ehret High School (in New Orleans), offers a touch of innocent love. Even editor Mardis slips in a folktale and a couple of poems, most notably "Sting," an ode that balances lemonade and death. A dozen New Orleans writers add their unique perspectives to this collection, including Michael Ollie Clayton, saddi khali, Cassandra Bailey, Nadir Bomani, Barnes, Evans, Joshua, Perkins, Salaam, Smith, Spears and Mawiyah Bomani. The African-American literary scene is a steadily evolving and expanding landscape, and "Kente Cloth" turns the spotlight around to shine on the South. Mardis wanted this collection to represent the joy of the oral tradition, "The elders may be gone in body, but their lessons linger in the living and sharing of these stories, poems and plays. Listen for the voices...the oral dance of tongue to teeth and song to heart." "Kente Cloth" is a visual tribute to the legions of unscripted griots and a worthy addition to any shelf that holds African-American literature.
These stories and poems are amazingly accessable

By far and away one of the finest laughs you'll ever have
Add this to your library !

Go with the online version
Excellent Reference! -- (but not the only reference)